Wednesday, 1 April 2015

PPP3: Client Brief- Victoria Shakes

I have been contacted by a client to produce a logo for his band, Victoria Shakes. They are a small, local band who have recently started playing gigs together, with their main focus being on weddings and sometimes other events.

The direction I was given in regards to what the client wants was that they wanted a band logo which consisted of the band name in full using a classy, joined up font. This would be enclosed in a circle and would have a colour scheme of blue and white. The tone of voice needed to be professional with a classy visual.

I was really excited at the prospect of doing a live client brief as I haven't really had the chance to do one yet. Also, I felt that this would be a great chance to have a go at trying to work on my timing for a brief, as discussed when I went to my studio visit at Tonik.

Initial Sketches 
I started by working on a few sketches as to where I can go with the logo. I wanted to give it a feeling of a wedding brand so I started by working on just have an initial- based logo with the writing on the bottom separately which then moved onto becoming more like a band logo as I tried to find variations on the way I could get the logo to look more like the words were visually shaking.

Chosen Typeface
From the initial sketches, I started by choosing a typeface that fitted the clients wants. The visual needed to be classy yet I didn't want the typeface to be overly done so that it was still readable. A lot of the ones I tried were clumsy or naive which didn't fit the profile of the client yet 'Cylburn' was sophisticated and legible without being too over-bearing.

Colour Choices
Following this, I started looking at blue colours that I could use for the brand logo. I initially started with looking at just the generic shades of blue yet I felt that these were way too bright and unconsidered for a sophisticated brand. Following this, I started by looking at tones and hues that were muted and more neutral which gave a more fitting visual.
Colour Scheme Applied
To be able to see what each of the colours would look like in practice, I started by making a very simple logo and then applying the different colour tones to the logo. I did this by alternating between a solid colour background and a solid colour font to see what effect would look the best.
Colour Scheme
The colour scheme that I found the best was a pale navy blue, however, instead of a white, I deviated from the wanted colour scheme to go with an off-white/cream colour which I felt gave a bit more warmth and sophistication to the visual identity.

Following on from the font and colour decisions, I went onto producing logo variations for the band.
Original Logo Designs
I started by keeping the logo variations very simple, solely working on just the name of the band and the circle itself, trying to find ways of creating a relationship between the name and the circle and how to connect them together. However, I didn't know if these came across as being a little bit simple. I decided that I needed to try and create more detail so that they had more personality to them.    

Logo Experimentation
I developed the logo with the ideal that it should be traditional and classy so that it would be something that would instantly be synonymous with the aesthetic of a wedding. That way, the logo would communicate the function of the band and would give the indication of the audience to use them for their wedding. Despite this, I feel like I am loosing the essence of the logo which is essentially a band logo so I want to go back onto developing some logos which are more representative of the band itself.

Logo Development
I selected the logos which I felt so far had been the most successful and decided to develop them so that they were more focused towards being for a band. I felt like these were more successful as they had more of a personality to them and the fact that they are all enclosed within the circle gives a more  intimate visual.

To present what I had done to the client, I produced some design boards with the range of what I had produced.



This way, it would be clear to the client what I had produced and they would have a range of different styles to chose from.
Chosen Favourite Logos
After showing the client, they were very happy at what I had produced and had whittled down their favourites to two. The first one being a very classic, simple logo with the other looking like a record player.

Typeface Changes


Typeface Experimentation
What the client did ask for as an amendment, however, was the first letter 'S' in the word Shakes was too difficult to read so they wanted it to be more like the one at the end. I stated that this would probably not work on the visual but I would produce it  to see what it would look like. I decided to produce a range of variations of the S on the two favourite logos. I left one as it was, a lowercase 's', an enlarged lowercase 's' and a manipulated enlarged lowercase 's'.

Variation Presentation for Client
I presented the logos for the client so that they could see the differences between the 's' and how they change the presentation of the band. 







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